The boy had good stuff in him. He was not going to allow Natalie to spoil him, or to withdraw him into that little realm of detachment in which she lived. Natalie did not need him, and had not, either as a lover or a husband, for years. But the boy did.

There was a little stir in the room behind. The Haverfords were leaving, and the Hayden girl, who was plainly finding the party dull. Graham was looking down at her, a tall, handsome boy, with Natalie's blonde hair but his father's height and almost insolent good looks.

"Come around to-morrow," she was saying. "About four.

There's always a crowd about five, you know."

Clayton knew, and felt a misgiving. The Hayden house was a late afternoon loafing and meeting place for the idle sons and daughters of the rich. Not the conservative old families, who had developed a sense of the responsibility of wealth, but of the second generation of easily acquired money. As she went out, with Graham at her elbow, he heard Chris, at the bridge table.

"Terrible house, the Haydens. Just one step from the

Saturday night carouse in Clay's mill district."

When Graham came back, Mrs. Haverford put her hand on his arm.

"I wish you would come to see us, Graham. Delight so often speaks of you."

Graham stiffened almost imperceptibly.

"Thanks, I will." But his tone was distant.

"You know she comes out this winter."

"Really?"

"And—you were great friends. I think she misses you a little."

"I wish I thought so!"

Gentle Mrs. Haverford glanced up at him quickly.

"You know she doesn't approve of me."

"Why, Graham!"

"Well, ask her," he said. And there was a real bitterness under the lightness of his tone. "I'll come, of course, Mrs. Haverford. Thank you for asking me. I haven't a lot of time. I'm a sort of clerk down at the mill, you know."

Natalie overheard, and her eyes met Clayton's, with a glance of malicious triumph. She had been deeply resentful that he had not made Graham a partner at once. He remembered a conversation they had had a few months before.

"Why should he have to start at the bottom?" she had protested. "You have never been quite fair to him, Clay." His boyish diminutive had stuck to him. "You expect him to know as

much about the mill now as you do, after all these years."

"Not at all. I want him to learn. That's precisely the reason why I'm not taking him in at once."

"How much salary is he to have?"

"Three thousand a year."

"Three thousand! Why, it will take all of that to buy him a car."

"There are three cars here now; I should think he could manage."

"Every boy wants his own car."

"I pay my other managers three thousand," he had said, still patient. "He will live here. His car can be kept here, without expense. Personally, I think it too much money for the service

he will be able to give for the first year or two."

And, although she had let it go at that, he had felt in her a keen resentment. Graham had got a car of his own, was using it hard, if the bills the chauffeur presented were an indication, and Natalie had overdrawn her account two thousand five hundred dollars.

The evening wore on. Two tables of bridge were going, with Denis Nolan sitting in at one. Money in large amounts was being written in on the bridge scores. The air of the room was heavy with smoke, and all the men and some of the women were drinking rather too much. There were splotches of color under the tan in Graham's cheeks, and even Natalie's laughter had taken on a higher note.

Chris's words rankled in Clayton Spencer's mind. A step from the Saturday night carouse. How much better was this sort of thing? A dull party, driven to cards and drink to get through the evening. And what sort of home life were he and Natalie giving the boy? Either this, or the dreary evenings when they were alone, with Natalie sifting with folded hands, or withdrawing to her boudoir upstairs, where invariably she summoned Graham to talk to him behind closed doors.

He went into the library and shut the door. The room rested him, after the babble across. He lighted a cigar, and stood for a moment before Natalie's portrait. It had been painted while he was abroad at, he suspected, Rodney's instigation. It left him quite cold, as did Natalie herself.

He could look at it dispassionately, as he had never quite cared to regard Natalie. Between them, personally, there was always the element she never allowed him to forget, that she had given him a son. This was Natalie herself, Natalie at fortyone, girlish, beautiful, fretful and—selfish. Natalie with whom he was to live the rest of his life, who was to share his wealth and his future, and with whom he shared not a single thought in common.

He had a curious sense of disloyalty as he sat down at his desk and picked up a pad and pencil. But a moment later he had forgotten her, as he had forgotten the party across the hall. He had work to do. Thank God for work.


Chapter Two Coming Soon
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