INT. NEWS SPORT ROOM - MORNING
NEWS REPORTERS SITTING ON DIFFERENT CHAIR.
NEW REPORTER
GOOD MORNING, FOLKS OF LIVERPOOL, TODAY IS GOING TO BE AN HAPPY WEEKEND FOR ITS WORSHIP FANS OF OUR HOMELAND CITY LIVERPOOL AGAINST MANCHESTER.
CUT TO;
HUGE CROWD LINE OUTSIDE TICKET COUNTER WAITING FOR TICKET WHILE SCREAMING IN EXCITEMENT AND ASTOUNDING ANTICIPATION.
BACK TO;
NEW REPORTER
WHERE ITS PEOPLE ARE SO EXCITED TO WITNESS THE LARGEST FOOTBALL GAME THAT OCCURED ON PLAYING FIELD OF ARNFIELD WITH ALL SEATS BOOKED BUT LUCKILY THE PLAY TO ITS HARDGOERS WON'T BE STOPPED, AS IT WOULD BE TELECAST ON THE ST. GEORGE HALL, WITH MANY PEOPLE PILING UP THERE THAT MADE AN ADMINISTRATIVE OFFICE EMPTY WITH ITS EMPLOYER AT THE GAME, SO DON'T LOOK AT THE TV SCREEN AND GO OUT AND SEE THROUGH THE WORLD BIGGEST TELEPLAY OF THE CENTURY, NOW BACK TO YA CHARLIE ON WEATHER REPORT.
CUT TO;
EXT. FOOTBALL GROUND - MORNING
IN GROUND 12 FEMALE FOOTBALLERS PLAYING AGAINST EACH OTHER, AS CAMERA SLOWLY MOVES ON THE SIDE WHERE KATE IS SITTING AS SUBSTITUTIONS WITH AN PRECISE CONCENTRATION ON THE FIELD WITH EXPRESSION OF DULL SUBTLE.
WHERE HER EYES IS CRYSTAL FOCUS.
CUT TO:
AS ONE OF FEMALE PLAYER GETS THE BALL, RUNS WITH IT, UNTIL A DEFENDER PUT HER LEGS IN FRONT OF HER, STOPPING THE PLAYER MAKING WOMEN FALL IN EXTREME FORCE TO GROUND.
PLAYER SCREAM, AS BROKE THE BONES WHERE SHE COULDN'T GET UP.
COACH LOOKS AT HER.
COACH
BRING THE MEDIC.
WOMEN GETS UP SLOWLY, WALKS WITH HELP OF MEDICS.
COACH
KATE
KATE LOOKS AT COACH, GETS TO THEM.
COACH
YOU UP.
KATE EXPRESSION CHANGES FROM CONCENTRATED TO SUBTLE DESPAIR THAT SHE DIDN'T SHOW BUT JUST NODED AND GETS TO FIELD.
CUT TO:
EXT. STANLEY DOCKS - WINTER MORNING
THE GIRL (28, FOOTBALL OUTFIT INSIDE HER BLACK JACKET) IS STANDING, LOOKING AT THE RIVER IN FRONT WITH AN AMBIVALENT EXPRESSION OF ANGER AND FRUSTRATION FOR FOUR MINUTES, UNTIL A VOICE OCCURS FROM BEHIND.
MAN (SCOUSE)
WHAT YA DOING HERE?
GIRL GETS SCARED FOR MINUTES, LOOKS AT HIM, EXPRESSES HER STRESS AND SHOCK.
GIRL
BOLLOCKS, WHAT UP WITH YA AND THE FRIGHT?
MAN
NOTHING, WHATS WITH YA HERE?
GIRL
NOTHING.
MAN
COMMON, TELL YA BEFORE YA TELL IT AFTER WACKING EACH OTHER.
GIRL EXHAUST IN DEPRESSED MANNER.
GIRL
I GOT YA POSITION.

MAN
(EXCITE) BOLLOCKS, THAT'S GREAT NEWS AHH, (CONFUSES) BUT WHY WITH GLUM FACE AH?
GIRL FRUSTRATED WITH AN HESITANT VOCAL.
GIRL
ITS NOT WHAT IT LOOKS LIKE.
MAN
THAN HOW IS IT LOOKS LIKE.
GIRL
ONE OF OUR PLAYER GOT HER LEG BROKEN, SO SHE HAD TO BACKED OUT, THEN AFTER GETTING HER TO HOSPITAL, COACH PICKED ME RIGHT THERE.
MAN
SO.
GIRL
DON'T YA GET IT? I AM THE SECOND HAND.
MAN
SO, WHAT? YA STILL PLAYER BETTER THAN THOSE GIRLS AREN'T YA?
GIRL
BUT I WANTED TO GET IN DUE TO MESELF NOT AN INJURY LETTING ME (BEAT, FRUSTRATES, SIGHS IN DESPAIR) WHY BOTHER WHEN FOOTBALL IS NOT LETTING YA TO BE IN?
MAN
WHAT YA WISH AH?
GIRL
I WISH (CONFUSE) I WISH, I GET PICKED BECAUSE THEY WANTED TO, NOW ALL LOOKS WITH PIED OFF ATTITUDE.
BOY
BUT ISN'T HAPPENING AREN'T YA? WHERE YA BEEN WANTING THIS FOR SO LONG AND YA GIVING UP WITH YA.
GIRL GETS DEPRESSED.

GIRL
HOW WOULD I GET UP WHEN YA CITY IS NOT LETTING YOU IN?
BOY
BUT THEY ARE LETTING YA IN, AREN'T YA?
GIRL
YA, BECAUSE OF THAT I LEFT THERE.
BOY
NO, YA CAN'T DO THIS. YA KNOW THAT IT WOULD BE THE WORST DECISION OF YA'S.
GIRL
ALREADY DID
(SHOWS THE FOOTBALL JERSEY)
BOY
WHAT'S YA DID THAT FOR?
GIRL
(ANGRY) WHAT'S YA I DID FOR? I DID CAUSE THEY TAUGHT ME MANY THINGS AND WHENEVER I TRY, I ONLY GOT LAPS AND KICKOFF AT TRAINING PRACTICES YAH, THAT ME LIFE HAS BECOMING UH.
GIRL CONFUSES, LOOKS AT HIM IN DESPAIR.
GIRL
SOMETIMES ME LIFE THINK I BECOMING WASTEMAN. DON'T YA HAVE THAT?
BOY
NAH, THAT'S WHY WE HAVE FOOTBALL TO UNDERSTAND-
GIRL GETS IRRITATED.
GIRL
WHAT'S YA WANT?
BOY
WHY WE HERE?
GIRL
CAUSE I WANTED TO ROUGH OFF SOME FEATHERS
BOY
WHY CAN'T YA FIND IT OTHER PLACE?
GIRL
IT'S MINE CHOICE, WHY YA HERE?
BOY
I HAVE TO GO TO DO A THING.
GIRL
WHAT THING?
BOY
(SHOCKS) WHAT THING, ITS RELATED TO FOOTBALL,
GIRL
WHAT IS IT?
BOY
SOMEONE IS GOING TO DO TO OUR TEAM.
GIRL LOOKS AT HIM IN CONFUSION.
GIRL
WHAT THEY WANNA DO?
BOY
I DONT KNOW, THAT'S WHY I WAS GOING TO FIND OUT.
GIRL
HOW IS IT GOING?
BOY
WELL I WAS TRYIN TO FIND IT, BEFORE I HEARD FROM YA.
GIRL
WHAT? THAT I DID.
BOY LOOKS AT HER IN OBVIOUS MANNER.
GIRL CONFUSES, THEN BECOMES SERIOUS.
GIRL
NAH!, DON'T YA KNOW I WOULDN'T DO IT?
BOY
JUST SAYING, YA TALKED ABOUT ADVERSITY OF FOOTBALL TEAM, I THOUGHT-
GIRL
PISS OFF!
BOY REMAIN SILENCE.
GIRL
SORRY, HOW DID YA KNOW?
BOY
FROM COLLEAGUE AT PLAYSOFF.
GIRL
PLAYOFFS?
BOY
YAH
GIRL
ITS THURSDAY,
BOY
YAH?
GIRL
THURDAY, WE DIDN'T MEET AT THE PLAYSOFF, WE MET AT FRIDAY.
GIRL LOOKS AT HIM IN SUSPICION.
GIRL
WHOM DID YA MET?
BOY REMAIN SILENCE.
GIRL BECOME MORE SUSPICIOUS.
GIRL
WHAT YA-
BOY PUSHES HER OFF.
FAR ANGLE, GIRL FALLS ON THE RIVER, AS GUY RUNS AWAY.
INT. RIVER - MORNING
GIRL SWIMS HERSELF UP IN EXTREME STRENGTH.
EXT. STANLEY DOCKS - MORNING
GIRL GETS UP FROM River, TAKES HER HAND ON THE LEDGE OF BLOCKS, CLIMBS HERSELF UP, BREATHES PROFUSELY, TAKES OUT HER PHONE, TAPS HER PHONE TO WORK, DOESN'T WORK, SHE TAPS ON THE BLOCK MANY TIMES, PHONE START TO WORK, SEARCH FOR HER FRIEND IN CONTACT, WHILE GETS UP FAST AND RUNS.
GIRL GETS FRIEND PHONE NUMBER, CALL.
FRIEND (O.S)
WHAT UP?
GIRL
STEVE, AINT YA?
FRIEND (O.S)
YA, WHAT YA BEEN DOING?
GIRL
I BEEN RUNNING.
STEVE (O.S)
STOP RUNNING, WHAT'S YA PROBLEM?
GIRL
WHAT'S YA WITH JACK?
BOY (O.S)
NAW, WHAT THE BOLLOCK DO?
GIRL
THROWED ME TO DOCK.
BOY (O.S)
WHY?
GIRL
WHAT DA YA MEAN, WHY? I AM ASKING YA?
BOY (O.S)
WHAT?
GIRL THINKS.
BOY (O.S)
KATE.
GIRL
YAH!, I THINKING, JACK TOLD ABOUT DAMAGE TO OUR FAN CLUB?
BOY (O.S)
YA,
GIRL
YA KNEW.
BOY (O.S)
YA, WHAT?
GIRL
WHATCHA HE DOING?
BOY (O.S)
HE'S GOT OUT.
GIRL
GOT OUT FROM WHAT?
BOY (O.S)
FROM WE.
GIRL
(SILENT SHOCKS)
WHATCHA HE DID?
BOY (O.S)
BUGGER GOT IN FIGHT WITH ONE OF OUR PEERS, SO WHAT'S HE DOING?
GIRL
HE TOLD ABOUT TERRIBLE GONNA HAPPEN TO REST OF US.
BOY (O.S)
WHAT?
GIRL
YAH, SO DO YA KNOW WHERE HE IS?
BOY (O.S)
HOW AINT YA KNOW?
GIRL
DON'T YA, HAVE THE (CONFUSE) THE THING ABOUT THAT BOLL APP, WE HAVE US.
BOY (O.S)
YEAH, LET ME CHECK
GIRL REST ON SIDE, WHILE HAVING AN MEDIAN EXPRESSION OF SADNESS AND ANXIETY.
GIRL
(TO HERSELF)
WHAT'S YA GONNA DO BUGGER?
STEVE (O.S)
THE BUGGER GOING TO THE LIVER BUILDING.
GIRL
(CONFUSED)
LIVER?
BOY
WHAT'S YA DOING THERE? ISN'T DAVID WORKS THERE?
GIRL
(GETS AN ANSWER) THANK YA.
GIRL CUTS, RUNS IN EXTREME SPEED, CLIMBS UP TO WALL, GETS OUT.
EXT. LIVER BUILDING - MORNING
FROM TERRACE, WITH TWO BIRDS ON DIFFERENT SIDE, WE SEE GIRL BEING IN GROUND RUNNING INSIDE BUILDING.
INT. LIVER BUILDING - MORNING
KATE LOOKS AROUND AND SEES THE FLOOR BOARD ON SIDE, FINDING A DAVID WORK OFFICE WITH AN ADMINISTRATIVE FOOTBALL.
GIRL
WHERE AT YA?
GIRL FINDS IT AFTER 6 BLOCKS, GOES TO LIFT, PRESSES THE BUTTON MANY TIMES, BUT LIFT COMING SLOWLY.
GIRL
HURRY UP, HURRY UP,
LIFT IS COMING DOWN SLOWLY.
GIRL
BUCKER!
GIRL GOES TO STAIR.
INT. STAIRS - MORNING
GIRL CLIMBS 6 BLOCKS.
CUT TO:
AFTER 13 MINUTES.
BACK TO:
GIRL CLIMBING THE STAIRS SLOWLY, WHILE BREATHING FANATICALLY, SHE REACHED TO DOOR, PUTS HER HEAD ON THE DOOR, OPENS IT.
CUT TO:
INT. FOOTBALL ADMINISTRATIVE OFFICE - MORNING
ITS EMPTY, KATE SEARCHING FOR DAVE.
KATE
DAVE?!
KATE RUNS TO ANOTHER ROOM, BUT COULDN'T FIND IT, UNTIL THIRD ROOM ON THE LEFT OFFICE, SHE GOES IN, BUT FIND JACK DOING SOMETHING ON THE COMPUTER.
KATE
WHAT'S YA DOING?
JACK
TAKING EVERYTHING OUT OF HIM, GOING TO PUT VIRUS ON IT
KATE
WHY YA DOING THIS?
JACK
CAUSE THIS BUGGER ALWAYS CALLING AT ME, NAKAR, NOT BELONG HERE, EVEN I TRIED EVERYTHING AND FORGOT ONE THING, ABOUT TEAM, AND ALL GANG UP ON ME AIN'T YA, THAT DON'T EVEN MAKE ME FEEL MY HOME FEEL HOME, SO, I AM TAKING AWAY HIS HOME.
KATE
THAT NOT RIGHT.
JACK
WHY YA COMING IN THIS?
KATE
CAUSE THIS IS MY HOME TOO,
JACK
(TEARS)
BUT I BEEN ON THE HOME FOR YEARS, NO, ONE LOOK AT ME, NOT EVEN YA, SO WHAT'S THE POINT OF BEING IN HOME, WHEN NO ONE IS THERE FOR YA?
JACK WIPES OFF HIS TEARS.
JACK
SO I AM TAKING EVERYONE HOME.
KATE
WHOM ARE YA DOING THIS FOR?
JACK
FOR ME BEING AT HOME AGAIN.
KATE
I AM NOT GONNA -
JACK THROWS THINGS FROM TABLE AT HER, SHE SAVES HERSELF FROM DOOR, BUT COULDN'T GO FURTHER, WHILE JACK TYPES FAST ON COMPUTER, THAT ENDED WITH HIM TYPING ON THE SPACE BAR AND RUNS OUT OF OFFICE.
ON HALL
AS KATE AND JACK RUNS AWAY, KATE TRYING TO CATCH HIM. BUT JACK IS RUNNING FASTER, UNTIL HE COULDN'T STOP EVEN HE REACHED TO WINDOW, THAT BROKE THE WINDOW, WITH KATE BEING BEHIND HIM, HOLDING HIS BACK STRONGLY THAT JACK KICKS ON THE FOOT OF KATE, HURTS KATE,
KATE
FUCKER!
JACK GOES OUTSIDE THE BROKEN WINDOW.
EXT. LIVER BUILDING - MORNING
A WIRE BEING CONNECTED TO CUNAR BUILDING, WITH JACK BEING ON SIDE, TAKES OUT HIS BELT AND PUTS IT AROUND THE WIRE ABOUT TO SWUNG BUT KATE GRABS HOLD ON HIM PUTTING BOTH OF THEM IN EXTREME SPEED THAT CLASHES THEIR BODIES INTO WINDOWS AND GETS INSIDE THE CUNAR BUILDING.
INT. CUNAR BUILDING - MORNING
JACK AND KATE GETS UP IN TIRED BUT EXTREME HURT.
THEY BOTH GROANS IN AGONY.
KATE CLIMBS ON TOP OF JACK, THAT JACK COULDN'T BREATHE AS HE IS TRYING TO MOVE BUT HE COULDN'T MOVE, EXCEPT BELOW HIS CHEST, HE HITS HER CHEST WITH HEAD, HURTING KATE CHEST.
JACK GETS UP AND RUNS OUT OF THE ROOM.
INT. HALL OF CUNAR BUILDING - MORNING
JACK GETS OUT, BUT SEES AT DISTANCE, SECURITY ARE COMING, FRIGHTENED JACK, RUNS TO OFFICE AGAIN, FINDS KATE LYING ON THE FLOOR, GETS OUT THE ROOM.
ON HALL
JACK RUNS AND JUMPS INTO ANOTHER ROOM ON OPPOSITE SIDE.
CUT TO:
KATE WAKES UP IN FRUSTRATED GROAN, LOOKS AT SECURITIES POINTING GUN AT HER.
KATE
OH FOLLOCKS.
CUT TO:
INT. ADMINSTRATIVE ROOM - MORNING
KATE SITS, AS THE SECURITY COMES IN, LOOKS AT OTHER SECURITY.
SECURITY
I TAKE CARE OF HER.
OTHER SECURITY GOES AWAY.
SECURITY LOOKS AT KATE.
KATE
FATHER.
SECURITY
WHAT'S YA DOING HERE
KATE
ITS LONG STORY, I AM TRYIN" TO FOUND A JACK-
SECURITY
THIS IS THE DAY YA THOUGHT OF WRECKING YOUR FATHER FIRST DAY, I AM SO DISAPPOINTED!
KATE
HEY, I DIDN'T INTEND TO OKAY, ITS JUST
SECURITY
ITS JUST WHAT, I DONT SEE ANYONE, ALL I SEE IS YA.
KATE
WOULD YA HEAR ME, I WAS CHASING JACK,
SECURITY
WHAT'S THE PURPOSE OF THIS VISIT?
KATE
(CONFUSES) I
SECURITY
TO NEVER BROKE THE RULES AND YOU BROKE IT
KATE EYES START TO WATER UP.
KATE
(DIFFICULTY SPEAKING)
BUT I...... I.... W...A.. CHASI-
SECURITY
YOU ARE JUST LIKE YA MOTHER, HOLDING ON THINGS, THAT NEVER GOT YA ANYWHERE.
KATE EYES VEILS UP IN TEARS AND REMAIN SILENT.
SECURITY
DONT HAVE AN ANSWER BUT HAVE RIGHT TO REMAIN IN SILENT, I AM CALLING GUARD TO TAKE YA TO CUSTODY.
KATE
(STRUGGLING TO SPEAK)
I WAN.....TED TO TELL YA....... ABOUT JACK, HE IS
SECURITY IRRITATE.
SECURITY
I DON'T UNDERSTAND YA LANGUAGE, AND I DON'T WANT TO, YA BROKE THE RULE, AND THIS IS THE ONLY JOB I HAD, SO DON'T WRECK IT.
KATE
(TEARS, WHILE HAVING FIRM CONTROL)
IT'S OUR CLUB OF OUR FAN WITH DAVE, STEVE, ANDREW-
SECURITY FRUSTRATES.
SECURITY
SECURITY!
SECURITY GETS OUT.
KATE BECOMES ANXIOUS, LOOKS AROUND, GETS UP, CLIMBS OUT TO WINDOW.
EXT. CUNAR BUILDING - AFTERNOON
Kate WALKS OVER THE SMALL EDGES AT BUILDING, WHO GOING TO ANOTHER ROOM, BUT FOUND JACK RUNNING OUT OF THE BUILDING, KATE LOOKS AT HIM.
KATE
HEY!
JACK LOOKS AT HER AND RUNS.
Kate JUMPS ON THE FLOOR.
KATE LANDS ON THE FEET AND BEGIN TO RUN SLOWLY TOWARDS HIM.
EXT. ST. GEORGE HALL - MORNING
KATE RUNNING BEHIND JACK, UNTIL THEY BOTH DELVE INTO THE BIGGEST CROWD OUTSIDE THE HALL, WHERE KATE COULDN'T FIND JACK, AS KATE BECOMES MUCH SUFFOCATED AND MORE COMPACTED BY MILLION OF PEOPLE, THAT KATE HAD TO TAKE HER HEAD OUT OF THE FRONT, TRYING TO BREATHE AND SCREAM, UNTIL KATE BREATHES BACK AND GOES INSIDE THE CROWDED PLACE AND SLOWLY MAKES HER WAY OF PUSHING AND HURTING PEOPLE THAT GOT HER PAST THOSE PEOPLE, AT LAST SHE REACHED TO END POINT, WHERE KATE GETS OUT OF PEOPLE AND FINDS JACK.
KATE POV - JACK IS RUNNING TOWARD THE TUNNEL, AS HE LOOKED AT HER. END POV.
KATE RUNS FAST.
INT. QUEENSWAY TUNNEL - MORNING
JACK RUNS, AS KATE RUNS FASTER, KATE SLOWLY GETS TO HIM, CAPTURE HIM, WHERE JACK IS TRYING EVERYTHING TO GET OUT OF HER HOLD BUT KATE WOULDN'T LET IT GO.
JACK
WHAT'S POINT? LET ME GO.
JACK TRIES TO GET HER OFF.
KATE GETS TO HOLD HIS NECK, GETS TO HIS EAR.
KATE
ONE MOVE, I WILL CRACK IT, WITHOUT THINKING,
JACK STOP STRUGGLING
KATE
NOW WE ARE GOING TO STAY HERE.
JACK
BUT I DONT WANT TO.
KATE
I KNOW YA DIDN'T WANTED BUT YA LEAVE NO CHOICE.
JACK
BUT I HAVE TO DO THIS.
KATE
WHY YA HAVE TO DO THIS.
JACK
BECAUSE THIS IS THE ONE I WANTED TO BE KNOW.
KATE
YA ONLY KNO-
JACK PUSHES HER AGAINST THE WALL.
JACK RUNS OUT, AS KATE RUNS TOWARD HIM.
EXT. ROAD - MORNING
JACK IS RUNNING SO HARD, AS KATE IS RUNNING BEHIND TOO, UNTIL SHE HOLD HIM
KATE
WHAT ARE YA DOING?
JACK
RUNNING FROM YA.
KATE
WHEN THIS WOULD END.
JACK
UNTIL I GET THEM OUT OF MY HOME SO IT COULD BE MINE.
KATE
BUT-
KATE PUSHES HIM STRONGLY ON WALL, THAT JACK HIT HER HEAD WITH HEAD, BUT DOESN'T HOLD HER GRIP.
JACK
(STRUGGLING TO GET OUT)
LET ME GO.
JACK TAKES HER HAND OFF AND RUNS AWAY, KATE RUNS TOWARD HIM AS THEY ARE GETTING OUT OF TUNNEL.
EXT. ROAD - MORNING
KATE GRABS HOLDS ON HIM AND PUSHES HIM ON THE DOOR OF THE CINEMA.
INT. WOOLSTON PICTUREHOUSE HALL - MORNING
KATE AND JACK FIGHT EACH OTHER, UNTIL KATE PUT HAND ON HIS HAND AND NEVER LET GO WITH STRONG HOLD.
JACK
LET ME GO.
KATE
WHAT WILL IT WOULD DO?
JACK
BUT IF I DON'T, THEN I WOULDN'T GET TO- NO ONE IS COMING TO GET YA HOME.
KATE
SHUT UP, YA DONT KNOW WHAT HOME IS, CAUSE IT IS PLACE THAT YA NEVER FORGOT, BUT YA NEVER FORGOT IT, DIDN'T YA.
JACK
HOW IS THIS RELATED.
KATE
THEN TELL ME, HOW CAN YA LEFT THE HOME, IF YA NEVER LEFT IT.
JACK LOOKS AT HER IN CONFUSION.
JACK
WHAT?
KATE
YA NEVER LEFT IT, THE HOME YA HAD WAS ALREADY THERE, YA HAVE GONE OUT FROM THERE BUT YA GOT SOMETHING THAT NONE OF US DO. YA DIDN'T LET IT GO. SO DON'T LET IT GO.
JACK
WHAT'S THE POINT? WHAT'S THE HOME GIVEN US.
KATE BRINGS HIS ENTIRE FRONT BODY UP AND HOLDS HIM STRONG.
KATE
THIS!
JACK
WHAT POINT WITH IT?
JACK TRIES TO GET OUT, BUT KATE OVERPOWER AND PUSHES HIS HAND ON GROUND IN HER STRONG GRIP.
KATE
THAT YOU NEVER LEFT! FOOTBALL MATTERS.
JACK
BECAUSE I MATTERED TO IT, BUT IT NEVER DID TO ME
KATE
(AGGRESSION)
SO WHAT IT NEVER DOES BUT WHAT IT DOES TELL YA THAT YOU MATTERED TO IT,
JACK STRUGGLES HARDER.
KATE
WITHOUT MATTERED TO IT, YOU WOULDNT HAVE A GO WITH YA LIFE.
JACK IS TRYING HIS HARDEST TO GET OFF FROM HER GRIP, BUT KATE HOLDS IT STRONG.
KATE
ISNT IT? FOOTBALL DOESNT MATTERED TO ANYONE UNLESS SOMEONE PUT ON SOMETHING LIKE YA DID.
JACK
(STRUGGLES TO GET OFF)
GE......T.......O.........F.....F
KATE
I WOULDNT LEAVE YA, UNTIL YA ANSWER IT?
JACK
(EXHAUST)
WHAT?
KATE
THAT FOOTBALL IS GAME, A THING THAT YA SHOWS WITH LONGY FINGER ON STADIUM AINT YA?
JACK
(CONFUSES)
WHAT?
KATE
ISNT IT? THAT YA POINTED IT?
JACK
(STRUGGLES AMD EXHAUST)
LET ME GO PLEASE
KATE
ANSWER THE QUESTION ISNT IT?
KATE HOLDS HIS HAND STRONG, JACK HITS HER WITH HIS HEAD, BACKS OFF AND HOLDS HIS HAND AND PUT INTO MAXIMUM PRESSURE UNTIL SLOWLY HIS HAND SHOWS BLUEISH COLOUR.
JACK
(PAIN AND CRY)
STOP IT! WOULD YA?
KATE
ANSWER THE QUESTION.
JACK
WHAT?
KATE DOES MORE PRESSURE ON HIS HAND BECOMING SLOWLY BLUEISH.
JACK
(SCREAM)
AHHHHHHHH, YAH YAH YAH YAH YAH LET GO OFF
KATE (HOLDING HIS HAND)
THEN, IT GAVE YA THE PURPOSE, RIGHT?
JACK (PAIN IN AGONY)
BUT WHAT ABOUT IT? NOBODY WHAT FOOTBAL GIVES TO YA?
KATE
NOBODY KNOWS WHAT IT GIVES TO YA BUT I KNOW ONE THING THAT IT GIVES – A PERSON WHO WONT LEAVE ON THE THING HE PUT HIS FINGER ON, THAT WHO.
JACK (STRUGGLE)
WHAT?
KATE
SOMETHING OF NEVER LOSING
JACK (STRUGGLING TO GET OUT)
AND WHATS THAT? LET ME GO
KATE
THIS! THAT YA DOING FOR FOOTBALL. AND YA THINK LIFE DIDN’T MATTER. IT MATTER ON THINGS YOU HOLD DEARLY AND NOT GOING WEAK ABOUT IT.
JACK (TRYING TO GET OUT)
I AM NOT WEAK
KATE (HOLD HIM STRONGLY)
THEN TELL WHAT YA HOLD (BEAT) FOR ME, BEING PLAYER ON MY OWN, THAT’S ME LIFE, WHATS YA?
JACK
WHY? (SCREAM IN PAINFUL AGONY)
KATE
ANSWER! WHAT YA HOLD DEAR TO YA?
JACK (SCREAM)
KATE
KATE (PUSHES HIS HANDS ON GROUND IN AGGRESSION)
ANSWER! YA FUCKER!
JACK (SILENTLY)
BALL
KATE
WHAT?!
JACK
BALL I PLAYED AT GARDEN ALONE!
KATE
SO THAT YA THINK
JACK
YA! ITS ME LIFE
KATE STOPS PRESSING WHILE HOLDING JACK, AS HE MAKES AN SILENT SCREAM IN AGONY FOR 14 MINUTES, LOOKS AT HER, SENSES BEING IN HOLD TRIES TO GET OFF.
JACK STOP STRUGGLING FROM HER STABLE GRIP AND THINK.
KATE
(CLEAR)
SO HOLD ONTO THAT.
JACK STRUGGLES TO GET OUT BUT HE WIND UP TEARING UP, AS HE UNDERSTAND WHAT SHE IS SAYING.
JACK STOPS STRUGGLING.
KATE HOLDS HIM STRONGLY AND DOESN'T LET HIM.
KATE
HAVE TO DO FOR GETTING US OUT OF BED, AIN'T YA.
JACK BECOMES DEFEATED, AS KATE BODY IS OVER HIM AND FELLS ASLEEP ON HIM IN LAST RELIEF.

THE END
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