No help left out
It may be a bad augury to begin with a poem by a loser, but there it is. Drayton, a contemporary and possible acquaintance of the Bard, evidently had come to the unhappy end of an affair when he penned this sonnet. He begins with a show of stoic indifference: “. . . you get no more of me,” but that can’t last. In the last six lines he shows his true feelings with a series of personifications of the dying figures of Love, Passion, Faith, and Innocence, which he pleads can be saved from their fate by the lady’s kindness.
Poem begins ....
Since there’s no help, come let us kiss and part;
Nay, I have done, you get no more of me,
And I am glad, yea glad with all my heart
That thus so cleanly I myself can free;
Shake hands forever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love’s latest breath,
When, his pulse failing, Passion speechless lies,
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes,
Now if thou wouldst, when all have given him over,
From death to life thou mightst him yet recover.
© All Rights Reserved
Poem begins ....
Since there’s no help, come let us kiss and part;
Nay, I have done, you get no more of me,
And I am glad, yea glad with all my heart
That thus so cleanly I myself can free;
Shake hands forever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love’s latest breath,
When, his pulse failing, Passion speechless lies,
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes,
Now if thou wouldst, when all have given him over,
From death to life thou mightst him yet recover.
© All Rights Reserved